#but! i would like to continue with the world regardless

[loganofthenorth]

Did I go into this thinking I'd be a mighty hero? Of course not.

...

Okay, well, maybe a little bit... I wouldn't have gone on this quest had I thought it would end this way. I was foolish. Had hope I might prevail. Instead, water drips from the drip stone high above my head, and echoes against the cracked stone floor. Streams run into these cracks and several luminous dragonflies zip around the area to collect any flies enjoying the damp atmosphere. I'm not sure if my lack of breath is due to fear, or the humid air which suffocated me in this dark place underneath the ocean.

"Well, 'Chosen One?' Are you going to bow down and face judgement, or are you going to stand there like a snivelling coward?" The taller man standing across the cave from me questioned. A dragon with scales that reflected what little light the cave offered in a chromatic sort of way circled us. Her giant feet were slow in their steps as she gracefully moved her large body around the two of us. If I ran, she'd likely swallow me whole... I could sleigh her with my sword, but then what? He was a powerful wizard with magic which could restrain me. If I attack him first, the dragon will fry me. I could likely escape with my life, but... I likely would not escape with the artifact that hid within my bag, a loose raggedy thing strapped to my shoulder.

"Dimitri has terrible taste in heroes..." The wizard sighed in exhausted dismay. He took a moment to comb back his long black hair, which shined like the dragon's scales. A cocky smirk rested under his large nose, and his green eyes- the colour of which also matched the dragon's scales- glimmered with amusement. "What is it with great wizards and sending scrawny children to do their dirty work? Why can't he be a proper gentleman and perform his own suicide missions?" The wizard complained.

"You... Know Master Gracen?" I asked timidly.

"Why, has Dimitri not told you? I thought certainly he'd have at least warned you what you were up against. Please, allow me to introduce myself." The wizard before me mused. He bowed gracefully to me, a wicked grin across his face. "The name is Corren Hofftraitor. You can call me Coy, if you like."

"Coy? Like your attitude?" I couldn't prevent myself from snarking him despite the grave situation.

Coy laughed and clutched his stomach as his deep bellowing echoed through the cavern. "Yes," He heaved for breath as he finally calmed down. I felt my shoulders slump, and my gaze avert away from him. "Yes, like my attitude. I do like the younger heroes, they have such spirit in them. So nice to see someone who has yet to be crushed by the world... A shame I'll have to kill you to get what I want." Coy continued. He reached out his hand towards me, then held his chin up high. "Now kneel, and present the artifact to me. Or I shall make the remainder of your life a living hell." He threatened.

"But... My village. We need this artifact." I stammered. I took a step back, and the dragon growled in warning.

"Inerva, at ease." Coy soothed his reptilian friend. The dragon ruffled her wings and blew out smoke, then shifted her legs and lowered herself to lay down. "There's a good girl." Coy praised as he reached out and patted her scales gently. "As for your village... Might I ask, what does your village need this time? Will this artifact stop a monster? Perhaps cure a drought? Or, mayhaps, is it going to break a curse? I'm curious what con my old friend and rival is pulling this time." Coy went on, his attention back on me.

I could have escaped at this point... Grab my broken broomstick from the jagged ground and cast a quick mending spell before his dragon gets up. Or perhaps a teleportation spell would be more practical... I'd just need to know where I'm teleporting to.

Regardless, I was curious. "Con, Mr. Hofftraiter?" I asked to clarify.

"Yes, a con. The idea that anyone can be special and save the world by adding random things to some Wizard's collection. Kids keep getting killed over this and yet he's the 'good' guy." Coy complained.

"For the record, I'm not a kid, I'm 21." I defended.

"Oh, honey. To me that still makes you a kid." Coy mused. "But regardless... There's nothing magical about that trinket. It's simply a rare collector's item and your 'Master' wants it for himself." Coy explained.

"You're lying! Master Gracen said we needed it to craft a potion to cure my people's disease!" I declared.

"Ah, so that's what he promised you... A cute in exchange for the trinket. How quant. Unfortunately, I am also a collector, and unlike Dimitri I get my own hands dirty for what I want. Now hand it over and accept your fate." Coy threatened deviously.

The feeling of despair fell over my shoulders, and the realization that I had failed, doomed my entire family. All I could do then, was pray. I whispered to any Gods whom might listen, begged them to assist me in this moment of possible failure, and grant me guidance on what to do next.

I knelt down in front of the villain, and slowly reached inside my bag. While Coy pulled out a large knife, I pulled out the artifact. Eagerly, Coy swiped it from my hands. Then chuckled maliciously.

"Oh, excellent. This will go nicely beside my Egyptian Artifact collection." Coy decided.

I closed my eyes and waited, knowing this would be the end..

I felt cold steel against my neck after I obeyed a firm command to bow my head.

Then a sharp pain, and warm blood dripping from my neck and down my back. I was surprised, however, when the sword was sheathed and a hand was offered to me.

"There. In return, I have removed the tracking spell your Master engraved in you." Coy announced.

"The what spell!?!" I exclaimed.

"Gods you're oblivious... er... How about we return to my place, you can become my own apprentice, and I can tell you everything. K?" Coy offered as he climbed onto the back of his dragon.

"I... can't betray my Master. Or abandon my people." I argued.

"Your master is supposed to be protecting that village. He doesn't need a special vase to make the antidote, he'll do it once he realizes you're not coming back. Your master sees you as a tool, nothing more." Coy informed me.

"I guess..." I conceded. I felt a pit form in my stomach, knowing I couldn't return without that artifact or Master Gracen would not heal my people. "I have always wanted to ride a dragon..." I then attempted to persuade myself.

Coy smiled, then patted a space behind him. I eagerly ran over, climbed on, and held Inerva's spikes tightly.

Apparently I'd be the fifth adventurer Coy ended up adopting.

Which is better than being the fifth one to die certainly.

When the villain demanded that you submit or be destroyed you just apathetically shrugged and braced yourself for death. You were surprised when the villain did not kill you and instead offered you a nice, comfortable room and an appointment with their personal therapist.

[danyseastar]

this is an INCREDIBLY disingenuous take, which doesn’t shock me in the slightest despite season two utterly destroying the fanon perception of alicent many have made up in their minds.

rhaenyra did not want to marry laenor, book or show. it is a direct consequence of viserys’ inability to be anything other than a complacent door mat, and daemon attempting to sully rhaenyra’s reputation in the hopes that viserys will marry her to him. the only husband she chooses is daemon.

the show did her far less justice in that it created a storyline of rhaenyra being given a ‘choice’ or at the very least the ‘illusion of choice’ before being forced to marry. the situation leading up to it is roughly the same minus that aspect is the book. i have no doubt in my mind that viserys would have concocted some scheme to bring the velaryon’s back into the fold regardless of rhaenyra’s reputation being put into question, but i digress. i’m not here to talk about hypotheticals.

rhaenyra has no intentions of not ‘doing her duty’ or ‘not sacrificing herself enough’ in this endeavor. this person is purposely misleading with their usage of only part of the quote (the one that fits the narrative they want to push). below is the dialogue for the scene this person is talking about:

the conversation, as this person so eloquently put, is not about rhaenyra wanting to ‘fuck whoever she pleases.’ it’s two teenagers put into a predicament they don’t want to be in; one because she both does not want to marry and wishes to find love with someone else, and the other a closeted gay man with no interest in women. the full quote is, “that we perform our DUTIES to our fathers, then each of us dines as we see fit.” rhaenyra had no initial interest in not having trueborn children with her husband. this is further proven with the season one episode seven line, “i had hoped to bear your [laenor’s] children.”

another point i’d like to make is WHY exactly is it seen as such a character flaw to not want to be looked down upon, or taken advantage of? to want freedom and flights of fancy and the ability to be happy? a certain someone DID her duty, and she wasn’t happy. she SACRIFICED everything, and she still wasn’t happy. she ultimately decides to gift her sons on a silver platter to the enemy in her pursuit of protecting her daughter and granddaughter; after a conversation where she admits that she was jealous of rhaenyra, for finding that happiness she herself was unable to grasp. this is not a moral failing on rhaenyra’s part. i don’t care what the in world ethics are of any given situation, i’m not going to sit back and look at a system meant to hurt women and root for it, whether my favorite character supports it or not. whether i deem it the ‘safest’ option (it isn’t) for my favorites lives to continue. how is anyone meant to break the wheel if they continuously allow themselves to be stepped on, or god forbid uphold it for their own personal gain?

‘i’m supposed to root* for her?’ you don’t have to root for her. you’re not obliged to. you’re not going to be burned at the stake. you’re not special for siding with overt female subjugation because the only women you deem to deserve better are those who perform their duties unwillingly and sacrifice their bodies and minds in the process. those who don’t fit into mold of the patriarchy be damned, the imperfect victims that they are, the ‘bad’ women of society.

[oli-ribbun-ver]

EP 4 RAMBLE PART 3 FINAL!!

(ft the other episodes! but mainly ep 4!)

okay actually i think this is more of a gangle ramble now but thats fine

part 1

part 2

CONTINUATION OF THE GANGLE PEOPLE-PLEASER PART OF THE RAMBLE FROM PART 2!

lets see... where did i leave off... RIGHT!!

There are a lot of parts in ALL episodes where she doesn't want to cause problems for people. Which is typically normal for everyone, HOWEVER. Her idea of 'causing problems' is her opening up to people about how she truly feels, or even voicing her feelings in general if they're about someone.

I've already gone over the Pomni conversation and the bit where she has a mini breakdown, and I said I'd include even more of the other episodes in this, so! Let's begin at Ep 1!

Let's talk about what I've observed in episode one.

YES THIS IS IMPORTANT.

Notice how it's emphasized she says it quietly? (I know it's for comedic effect, but EVERYTHING seems to be important for every character, like how the darkness from the bucket on Kinger's head in Ep 2 helped him remember something about Ragatha before immediately forgetting it and then the reason he only remembers things in the darkness is explained! Seems like a minor detail that means nothing, turns out to be HUGE.

She doesn't want to cause a problem. In this case, the 'problem' would be her fully interrupting the conversation because she's worried about her friend. In the mind of a people pleaser, even if it helps someone out, you feel a sense of pressure on you when mentioning someone needs help to others, because "What if I cause a problem or make them mad? I don't wanna do that!", those thoughts are pretty normal, ESPECIALLY for people-pleasers.

"Wait, what about Zooble?" Is said so quietly, you can barely hear it. She either doesn't want her voice to be heard, or she DOES but is too scared to say it more loudly because of some version of the thoughts I described.

not as important but I'd like to note how she literally says NOTHING. like. nothing. i just think its kinda funny but also she just. doesnt give her opinion at all? she wasnt even asked if she wanted to go with them to check on kaufmo they just dgaf about her 😭

ANYWAY

This is the only time she gives her opinion and its not even an opinion HELP

Also I'm trying to save space so I don't have to make a part 4 so shortly into this, since I know I'll have to make one anyway, but I wanna mention how she hides behind her broken mask to protect herself after he screams which kinda hits different now that we know more about her mask.

But anyway, I'll make a seperate little portion of this ramble for that!

I'd like to mention too, anytime she is shoved, has something mean said to her, or has her comedy mask broken, she doesn't complain or say anything about it except for maybe an "ow". I find that interesting, because I think the reason for this is that she doesn't want anyone worrying about her. AKA, she doesn't want to cause a 'problem'.

She wants to please. One does not please by being a 'problem', right? That's probably how she thinks, anyway.

When Jax tells her to do something she doesn't want to do, whether he pressured her like that or not, it wouldn't have made a difference, because she can't bring herself to say 'no.'

In my opinion, from what it sounds like when she says "I don't think we—" she probably would've ended up saying yes regardless. Hell, if he'd just followed it up with "do it," I don't see a world in which she wouldn't, although she'd probably be more hesitant.

also why does his back bend like that he looks like hes gonna become an old man any second now HELP 😭

Also, when Jax threatens her by saying "Do it, or I'll tell Ragatha about the figurine thing," I think that really does something to her.

Every time she's either built up the confidence to say no, or someone has tried to help her say no, she's kicked down in one way or another INSTANTLY.

Episode 4 did not help with that. I believe in the next few episodes, she will not be better about saying no. She might even be worse off, knowing Ragatha thinks her being happy is annoying.

People-pleasers are in different worlds. Being the type of people-pleaser Gangle is, it's an entirely different world from others. It carries a lot of what I can only describe as delusion to it.

If Pomni had not stepped up when Gangle thought she was alone after work hours, Gangle would have abstracted. I am a firm believer in that. She was breaking. Losing her mind.

Gangle tells herself to stop trying to achieve her dream while breaking down over the fact her efforts to achieve her dream might not be enough.

So let's go there, and get a

Closer look at Gangle's mental state.

(and why she's most likely the least unwell character)

Gangle is mentally ill. Everyone knows that already, but to what extent?

I'm not sure if we'll ever know.

But what we do know is this.

More likely than not, Gangle almost abstracted in Ep 4. And out of everyone who has EVER vented so far, Gangle has shared relatively nothing. Even after the Spudsy's adventure, what we've seen so far is her never mentioning her feelings except that she feels like she messed everything up.

Gangle doesn't know how to help herself. Zooble can make her feel better, but not for long, because Gangle doesn't think she can get better.

When she was about to vent to Pomni, she stopped as soon as she felt like her feelings were REALLY about to come loose, put her new happy mask back on, said she had no time to talk about her feelings, and fled.

What I think is that Gangle thinks everyone is more important than her, so when she FINALLY got to be important she was happy. Really, truly happy.

The worst thing you can do is make someone think they're not wanted or loved.

Something that makes me sad is that Gangle does not feel wanted or loved.

Gangle was almost gone in Episode 4.

We almost lost Gangle. Had Gangle abstracted, she'd die without ever feeling like people cared about her.

For all we know, she could be the first person to abstract after Kaufmo.

I personally believe that.

The end of Episode 4 was a su¡cide attempt. (is that word allowed? im not sure..l ill censor it anyway)

I saw someone say this in the comment section of either the episode itself or a reaction video, and I completely agree.

They say before people commit su¡cide, they have a sudden boost of joy. Everything will be over soon. Why not enjoy that fact?

I think it was a subconscious su¡cide, at the very least.

She was happy. For the first time without a happy mask to hide how she feels deep down, she was happy.

She had a sudden boost of happiness, and then stepped backwards into oncoming traffic. When someone experiences a near-death situation by their own hand, there's a moment of regret before they are gone. I've experienced it myself, and it is horrid. That feeling is one I will never be able to forget. Even if I never so much as blacked out, I felt faint, and I will NEVER forget that fear, that horror, dread, regret.

The shock. Wondering if it was truly me who did it.

And I think. That is what Gangle experienced.

And then, that feeling was brushed off by Caine, whether she knew he doesn't understand the feeling of wanting to disappear or not, she was quick to blame herself for it all. Both about her performance to Caine, and alone, to nobody but herself.

"I guess I just... cracked under the pressure I suppose."

And maybe, just maybe.

That crack will never heal.

Thank you for listening and reading my ramble, everyone!! I appreciate it more than you know!

Bye bye for now, friends! Have a lovely day!

[smile-files]

randall and henry are likened to brothers constantly in this game, which makes it kind of ridiculous that i never picked up on that as a kid. of course, it doesn't necessarily mean they do see each other as siblings, and certainly the way they were raised wouldn't automatically make them siblings regardless (they aren't biologically related and henry wasn't adopted, per se), but the idea that they have a brotherly relationship is certainly there.

to that end, there's nothing inherently incestuous about seeing henry and randall as a romantic pairing, as their status as brothers is entirely dependent on whether or not they see each other that way, something which isn't stated in the clearest of terms. i certainly would harbor no ill-will against the ship or those who ship it...

though having come this far in my miracle mask rewatch, and knowing that at the end of the day the most important things are randall's compassion for henry and henry's dedication to randall (and not any potential romance therein), i'm inclined to shift my personal view of them: to see them as brothers more than a couple. that's sort of awkward, considering how i've posted and reblogged ranhen stuff frequently up until now, but it's really no big deal. there's nothing wrong with it, as i had a different view of them then, but going forward i'd be posting about them in a different light!

and anyway, it's easy enough to reframe my thoughts on them... their relationship is still just as heartwarming and heartbreaking...

imagine you're henry, a small, sensitive little boy. you live in the household of the wealthy ascots, but they didn't adopt you: you're their servant, not their son... and because of that, you have to constantly see yourself as below them, even the ascot kid who's your age. naturally, your self-esteem starts incredibly low... except, for some reason, the ascot kid - a boy named randall - treats you not just as a regular child, someone on his level, but as your brother. it's inexplicable, but it's true, and as a token of this, he's given you his favorite toy robot: a symbol of his love for you. even if his parents will never treat you as their son, he continues to treat you as his brother.

randall takes you on adventures with his friends angela and dalston, the former of which he has a crush on. when with randall, you feel like you're more than just a servant: you feel on top of the world. despite being sensitive and timid otherwise, you're excited to go on adventures with him, picking up some of randall's fervent love for treasure-hunting. perhaps you feel like nothing without him, as he's the only person who has shown you love...

unfortunately, once you become a teenager, mr ascot pulls you away from your childhood, your education, and your friends to train to be a butler: he sees your diligence, your obedience, your thoughtfulness, and thinks you more valuable to the household as a servant than the flighty randall is as a son. now the only person your age you can ever interact with is randall, and then only when he's home... all you have is the boy who chose to be your brother... when he is around, he talks to you about archeology: he knows how important you are, how wise you are, and you help him uncover secrets relating to the mask of chaos, a relic massively important to him. you're more than willing to help randall with this. after all, he chose to be your brother. you'd do anything for him. one part the feeling of subservience instilled in you from your life as a servant, one part the feeling of loyalty towards someone who made you feel worth anything... you want to be his servant, if it means he'll treat you like you aren't one.

but every time randall leaves the house, he spends hours with angela and another boy, a new boy... a boy named hershel... a boy who, like you, balances out randall's energy and ambition. you feel he has taken your place in your absence. you spend every day working menial tasks for mr ascot: when randall is gone, you are nothing but a servant, waiting to be a brother again. and while you are a servant, hershel gets to be with randall. you don't like hershel very much... why, he doesn't even want to go on adventures with randall. absurd! why even be his friend?

randall wants to unearth the treasures of the azran, with the mask of chaos guiding him towards glory. he feels it is his destiny, and in fulfilling it, he would impress angela's parents enough to let her marry him. he needs this, so you need him to get it - and so you help randall prepare for his expedition. you wish to join him, instead of that hershel boy... you long to adventure with your dear randall again, but beyond that, you don't trust hershel to keep him safe. you could keep him safe. after all, if you're with randall, you feel on top of the world, and you'd do anything for him. but hershel? you don't trust hershel, and so you worry about randall. so long as you can't be there with him, perhaps he shouldn't even go... he promises to be safe, and that this will be his last expedition. you trust him, because he has chosen to be your brother, and he loves you, and he'd never lie. you trust him, unlike hershel. you help him sneak out of the house, even if it means seeing him leave with hershel into a wilderness you cannot help him through.

you think randall must come back, for he would never break a promise. and anyway, you cannot fathom life without him. for he chose to be your brother, in a house that used you as a machine. at least while he's away, while you're forced to be nothing but a servant again, you can await his return, and the return of your worth as a person with him... you couldn't bear to be a machine forever... a robot executing tasks until its power runs out...

hershel returns. randall is gone, he says. you don't believe him. you hate him. randall is alive. hershel gave up on him. but randall never gave up on you, so you cannot give up on him. randall is alive. he must come back, for he promised. life without him is impossible. thus, so long as you live, he must be alive as well. and so you dedicate your life - a life which you feel is only worth anything because of him - to randall's life. you are willing to make yourself into a machine, into a robot, to execute this task: loving randall so much, as he'd loved you, that you bring him back from the dead.

and so you spend half your life dedicated to him. you "marry" angela so she doesn't have to marry dalston, ready to be with randall again when he returns. you spend time and money searching the ruins he disappeared in yourself, then organizing search parties to do the same; all of the ruins' treasure is spent on looking for randall, or for building a beautiful city for him to live in when he returns. it is all for him. you work yourself to the bone, just as his parents had done to you. you are randall's servant, for he chose to be your brother. you live for him, for without him you have no life: without him, you are a broken toy robot.

someone has come to destroy monte d'or, the beautiful city you made for randall. and this someone, this "masked gentleman", keeps pinning the blame on you, as if you'd destroy any of this... no, you'd been saving it all for randall... and hershel, who has returned on angela's request to solve the mystery of the masked gentleman, has the gall to blame you for this all. how dare he? not only does he take your place at randall's side, he never even knew the place he was taking... you hate hershel. you only comply to his requests to save monte d'or.

and hark... the masked gentleman is randall himself. you were right, he wasn't dead, even though you were irrational and desperate for thinking so. and he hates you. he thinks you took his angela, and his fortune, and his family, and his glory. he was manipulated into seeing you this way, after almost two decades of amnesia. and he hates you. and he regrets ever choosing to be your brother. but you cannot be mad at him... you can barely even explain yourself... you're lucky hershel is able to do that for you. if not for him, you would never have gotten your brother back.

how lucky you are... giving up your personhood for so long really paid off, and now you just might let randall make you feel like a person again...

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[tariah23]

This is such a harmful sentiment to push considering that you don’t necessarily have to be “attractive,” (beauty is subjective, yada yada) in order for men to want to harm you in the slightest… like man, what…

[soracities]

Hi! So I tried not to say anything about some anti makeup posts I saw on your blog but I need to say this. I think you're very wise and I agree it's very important for us to love ourselves as we are. But some people like myself doesn't care about 'empowering' of makeup or whatever but we just have fun with it and we just love it. I say we because I know there is a lot of people like me. Yeah, we are feeding capitalism or whatever, but world is beautiful and it's also terrible so people trying make themselves feel good, have fun, ect. I see a lot of people who don't wear makeup and i'm happy for them! I didn't wear makeup until i turned 20 i think and felt good.

One thing I wanted to add is in response of post about feminine girls. I think everything needs balance and sometimes people tend to overreact in their opinion and divide everything in black and white. Personally I never cared how women around me looked and what they were wearing. But I would like to have same treatment, and not to feel silly for wearing pink or feminine clothes.

Sorry, I don't know English very well so maybe I can't translate my idea entirely. What I'm trying to say i think everyone should do what they like and leave each other in peace.

Sorry for this essay, just wanted to share my point of view.

Hi, anon! I'm sorry for the delay in getting to this, but I appreciate you writing this (and your English was fine, don't worry)

I think the main argument of those posts (and my own feelings about this) is not about makeup on its own, or even judgement about who does and doesn't choose to wear it--what they are criticizing is a particular part of the society we live in which puts a huge emphasis on women's beauty and appearance in order to fulfill an idea of what a woman "should" be, and the role that makeup plays in that as a result. Because whether we like it or not, whether we believe in them or not, whether we feel pressured by them or not, these expectations do exist. How we personally respond to them does not change that.

I personally don't have an issue with makeup or the concept of it (in almost every culture on earth, humans have been using makeup of some kind for literally thousands of years)--but what I do have a problem with is when we treat makeup, or other traditionally "feminine" forms of expression as neutral things when they are not. A comb or a hair tie is neutral--it's just a thing. Lipstick and eyeliner are also just things, but only when they exist by themselves--and in reality they don't exist by themselves: they exist in a world where we value women on their physical appearance before we value them for anything else--lipstick and eyeliner exist to emphasise parts of your appearance, to make you look a certain way--and in a society where we put so much importance on women looking a certain way, they aren't just ordinary things you toy around with for fun. You can have fun with them, but it doesn't change their role. They can't be treated as exceptions from the world they are used in.

I think sometimes people assume that being anti-makeup is the same as being anti-women-who-wear-makeup, which misses the point (and also suggests a very dangerous idea which I think, sometimes, is why people respond so angrily to these criticisms: because if we believe that being anti-makeup = being anti-women, then therefore makeup = womanhood, and this is simply not true). Whether you wear these things just for fun and to enjoy yourself isn't what is being talked about because these criticisms are not about you on a personal level: they are about looking at a society that is as image-obsessed as ours, and asking why makeup has the role that it has when 1) it is almost exclusively aimed at women--women who, as a group, have been historically marginalised, and whose value, historically, has almost always been measured in terms of their beauty before anything else and 2) the makeup that is emphasized, the trends and styles that come and go, are often not so much about self-expression (if they were, people would be freely wearing all sorts of wild colours and styles: when we talk about "makeup culture" it's not the same kind of makeup used in the goth, punk, or alt scenes for example where makeup plays a very different role) but almost always about achieving or aspiring towards a type of beauty that is valued or expected: to make you look younger, to make your eyes brighter or larger, to make your lips bigger or sexier, your cheekbones more prominent etc--again, on their own, these things may not be a big deal, but they exist in a world where having these looks means you are valued in a certain way as a woman. And when this exists in our kind of world, where the power dynamics we have automatically mean women's perceived power is through beauty, and where we insist so much on women being a particular kind of beautiful (and this starts in childhood) we have to ask and investigate WHY that is--why this type of beauty and not another? why (almost only) women? who benefits from this? who suffers as a result?

The argument of "not all women" wear makeup for empowerment misses the point of these criticism, because it is focusing on a person's individual choices in a way that suggests our choices can define the world we live in, and they can't. We are deeply social animals. Therefore, how we appear to each other and to ourselves is a socially influenced phenomenon. This applies for race, for sexuality, and for gender. How women are perceived at large, in different social structures, is a social phenomenon influenced by the societies we exist in and the values of those societies. These criticisms are about the society we make those choices in and how that can affect us. For you, makeup may be something fun and enjoyable and that's fine. I'm not saying that's untrue or that people don't feel this way or that you are wrong for feeling this way. It's also not saying that you are brain-washed or oppressing yourself for it. But it doesn't change the world we live in. Someone feeling perfectly happy to go out with makeup or without makeup, and feeling no pressure to do either, is great--but it doesn't mean there aren't a lot of women who do feel pressured into wearing it, and that pressure is a social one. It doesn't change the inequality that exists between how women's physical appearances are judged compared to men's. It doesn't change the fact that almost every childhood story most kids hear (that aren't about animals) have a "beautiful princess" (and very little else is said about her except that she is beautiful) and a "brave" knight/prince/king/whichever: the princess (or maiden or whatever young woman) is defined by how she looks; the male in the story by how he acts.

It also doesn't change the fact that so many young girls grow up hearing the women around them criticize various parts of their bodies and that they carry this into their lives. It doesn't change the fact that we expect (in Western countries at least) for women to have criticisms about their appearance and they are "stuck-up" or "full of themselves" if they don't. It doesn't change the fact that magazines photos, red carpet photos, films, tv shows etc., feature actresses who are beautiful in a way that is absolutely above and beyond exceptional (and who either have had work done cosmetically, or are wealthy enough to be able to afford to look the way they do through top-class makeup artists, personal trainers etc) but who we think are within the "normal" range of beauty because faces like theirs are all that we see--how many famous actors / entertainers can you name who look like they could be someone's random uncle, or "just some guy" (writing this, I can think of 5). Now how many actresses, equally famous, can you think of that are the same? Very, very, very few.

The point of those posts, and why I feel so strongly about this, is that we have a deeply skewed view of beauty when it comes to women, because, as a society, we place so much on how they look in such a way that it is not, and was never meant to be, achievable: therefore anything that contributes to how women look, that markets itself in the way that the makeup industry does in this day and age, needs to be questioned and looked at in relation to that. No one is saying don't wear eyeliner or blush--what they are trying to say is that we need to be aware of the kind of world eyeliner and blush exists in, what their particular functions as eyeliner and blush do in the world that they exist in, that we exist in, and how this does impact the view we have on makeup as a result. Your personal enjoyment may be true to you and others, but this doesn't change the role of female beauty in the world because, again, our personal choices don't define the world in this way. Often, it's the other way around. And we cannot deny this fact because, while it may not affect you negatively, it does affect others.

I absolutely agree with you because I don't care how other women around me choose to dress or express themselves, either--that's their freedom to wear what they want and enjoy themselves and I want them to have that freedom. But my view is not the world's view, and it's certainly not the view of a lot of other people, either. I don't care if another woman loves pink and wearing skirts and dresses--but, like makeup, pink, skirts, and dresses, are not neutral things either. They're tied to a particular image of 'femininity' which means they are tied to a particular way of "being a woman" in this world. I'm not saying, at all, that it's wrong to wear these things. But I'm saying we can't treat them as though these are choices as simple as choosing what kind of socks to wear, because they aren't. They are choices that have baggage. If a woman is seen as being silly, childish, or treated unequally because she enjoys cute tops and ribbons and sundresses, that's not because we are demonizing her choices, or because being anti-makeup is being anti-woman (again, it is absolutely not): it's because we as a society demonize women for any choice. That isn't because of anti-makeup stances--that's because of sexism.

You mentioned that you want to be treated the same as anyone else for wearing feminine clothes--but the fear that you wouldn't be isn't because of the discussions critiquing makeup and other traditionally "feminine" things--it's because we live in a society where women are constantly defined by how they appear on the outside, and no amount of our personal choices will make this untrue. Whether you are a girly-girl or a tomboy, you'll always be judged. And, in reality, when women follow certain beauty standards they do get treated better--but this doesn't mean much in a society where the standards are so high you can never reach them, and where the basic regard for women is so low to begin with (not to mention the hypocrisy that exists within those standards). This is what all those criticisms towards makeup and "empowerment" are about: it's about interrogating a society that is built on this kind of logic and asking why we should insist on leaving it as it is when it does so much damage. It's saying that that if we want everyone to truly feel free in how they choose to present themselves we have to go deeper than just defining freedom by these choices on their own, and look at the environment those choices are made in. And that involves some deeply uncomfortable but necessary conversations.

Also, and I think this important to remember, views on makeup and the social place of makeup will also depend on culture and where you are, and the beauty expectations you grew up with. And when it comes to the internet, and given American dominance online, a lot of these posts criticizing makeup and the way makeup is being used to sell an idea that wearing it is "empowering" to the woman (which is basically saying: you are MORE of a woman when you wear it; you are stronger and more powerful because, in our society, beauty is portrayed as a form of power: it tells you, you can battle the inequality women face by embracing the role beauty plays in our lives but it doesn't tell you this emphasis on beauty is part of that inequality), are based on the way makeup is portrayed in mostly English-speaking Western countries. My views are shaped by what I grew up seeing, and while a full face of makeup (concealer, primer, foundation, mascara, highlighter, contour, blush, brow tint, brow gel etc) may not be daily practice or even embraced in a place like France or maybe other places in mainland Europe (but that doesn't mean they don't have their own expectations of feminine beauty), they are daily practice in places like the US and Britain, and this is what most of those posts and criticisms are responding to.

We can argue as much as we want about makeup, but when you grow up in a society where women feel the need to put on makeup before going to the gym there is something seriously wrong. Embracing makeup and enjoying makeup is one thing, but it cannot be a neutral thing when so much of it is about looking like you're not wearing makeup at all, or when we assume a woman is better qualified for a job or more professional when she wears it. It cannot be a neutral thing when a singer like Alicia Keys goes makeup-free for a red carpet event and it causes a stir online because people think she looks sick (what she looks like is normal--I would argue above normal--but wearing makeup to cover up "flaws" is so normal now that we genuinely don't know what normal skin is supposed to look like because the beauty of these celebrities is part of their appeal: they are something to aspire to). It is absolutely very normal for me, where I am, to see young girls with fake lashes and filled in brows: it's not every girl I pass, but it is enough. I'm not saying they are miserable, or brain-washed, or should be judged. I can believe that for them it's something enjoyable--but how am I supposed to see something like that and not be aware of the kind of celebrities and makeup tutorials that are everywhere on TikTok and YouTube, and that they are seeing everyday? How am I not supposed to have doubts when people tell me "it's their choice!" when the choices being offered are so limited and focused on one thing?

I never wore makeup as a teenager and I still don't, but a lot of that is because I grew up surrounded by people who just didn't. Makeup was never portrayed as anything bad or forbidden (and I don't see it like that either)--it was just this thing that, for me growing up, was never made to be a necessity not even for special occasions. I saw airbrushed photos and magazines all around me, for sure, and I definitely felt the beauty pressure and the body pressure (for example, I definitely felt my confidence would be better if I wore concealer to deal with my uneven skintone, and I felt this for years). But I also know that, growing up, I saw both sides. No makeup was the default I saw at home, while makeup was the default I saw outside. And that does play a part, not just in the choices you make, but in the choices that you feel you are allowed to make. No makeup was an option for me because it was what I saw everyday, even with my own insecurities; but if you do not see that as an option around you (and I know for most girls my age, where I grew up, it probably wasn't) then how can we fully argue that the decision you make is a real choice?

If I wanted to wear a cute skirt outside, for example, and decided to shave my legs--that isn't a real choice. And it cannot ever be a real choice, no matter how much I say "this is for me" or "I prefer it like this" because going out in public with hairy legs and going out in public with shaved legs will cause two completely different reactions. How can I separate what I think is "my choice" from a choice I make because I want to avoid the negative looks and comments? And how can I argue that choosing to shave is a freely made choice when the alternative has such negativity? If you feel pressured into choosing one thing over another, that's not a choice. Does this make sense?

This is how I feel about makeup most of the time, and what I want more than anything else is for us to be able to have a conversation about why we make the choices we do beyond saying "it makes me feel good" and ending the conversation there. Again, I'm not saying people need to stop wearing makeup or stop finding enjoyment in wearing it, but I think we tend to get so focused on our own feelings about this and forget that there is a bigger picture and this picture is a deeply unequal one. That is what this conversation is about. I hope this explains some things, anon, and if I misinterpreted anything please feel free to message me again. x

[wavernot4love]

time 4 yet another wavernot4love gig recap, gloomtown rochester edition (aka my seventh time seeing idkhow, fourth in rochester, & third at the montage music hall, the latter two a feat i cannot say for many bands) (note this was typed primarily at three am last night so once again there is probably incoherent rambling):

- gonna start this off with this clip of sunnyside since 1. i think that is becoming my favorite song off gloom division and 2. the ending gives me a chuckle

- boring live finally came back 2 me after four long years!!!!

- (dallon neurodivergency mention when talking about the themes of gloom division) (crowd erupts in cheers)

- return of the mormon tabernacle choir comparison arrived post- a letter, with dallon saying the next song (what love) wasn't something they tell you about in church, in typical cheeky fashion

- somewhat related, bro was wearing a gold sparkly grandma cardigan and randomly ripped it off and threw it CLEAN through the doorway of the like, green room at montage mid- what love. speaking of he said people at the vip earlier apparently planned his outfit

- dallon straight up grabbed a kid by the hand mid song and yanked them out of the crowd & onstage so they could do a lil jig together? good for them!!!

- going to leave the dallon quote "this isn't a frat house!" here w/o context

- someone handed him a giant american flag with a picture of him printed on it. god bless america

- ALL OF THE BRACELETS/KEYCHAINS WENT? after the show maybe 40 of us camped outside in case dallon came out and at one point someone who had reached out about them came over & so did a BUNCH of other folks who realized there were, in fact, bracelets. my cousin referred to it as the "meet & greet" since there were barricades set up along the sidewalk which gave me a bit of a laugh. guess i'm making more for buffalo yippee!!!! possibly may make stickers too later if i have time. i'll probably post em, but otherwise look for the person w curly hair & a baggy black thought reform hoodie w bracelets on a carabiner!

- so while we were waiting my cousin and i were sat RIGHT next to the main entrance of montage, right? basically the start of a sort of line of people sat down going down the sidewalk.

anyways, at one point only maybe 45 minutes after the show, out of said main entrance strolls dallon. collective whiplash moment as bro took one look, stopped dead in his tracks, we all collectively looked at each other like

and dallon (who i think was truly surprised so many of us were out waiting in the cold) goes, lightheartedly but genuinely, "what are you guys doing all out here? it's freezing outside!"

and then proceeds to kinda frolick around for a couple minutes laughing w people or whatever. we didn't really approach him since i think he was a bit overwhelmed but it was still just a funny moment and we'll see what happens in buffalo! maybe less people will hang after so it'll be less intimidating for him.

- i do feel the need to mention i heard this one kid we were talking to bring up video games to him & dallon said he's not a huge video games person he just plays the last of us & spiderman really which is funny to me but fitting

- i did bring my point & shoot so once i edit those maybe i'll post some!

anyways, stoked on tomorrow's show yay!!!

[neon-danger]

call me crazy but I don’t hate the umbrella academy season 4

[miisfits-toys]

I have, in an attempt to figure out how printing works, decided to print and bind the first 2 chapters of my comic <:-)!!

Came out to be 18 pages (including front/back) and 5.5x7.5 inches. Not bad for hastily putting it together...!

So strange (but good!) to have my own creation in my hands. I hope to take a crack at it again once my current story-line is complete. Have the full "book," you know?

[cheswirls]

doing one of those yt wrapped ficlet challenges would be SO fun but alas i use vanced on my phone which is where i watch 90% of yt videos and it doesn't collect your view history bc of how the app handles spoofing+privacy

[fleshadept]

looking at (vetted) gofundmes for people trying to escape palestine and i don't know how many of you actually click on the gofundme links you reblog but i would like to point out, for what it's worth, just how amazing it is that so many have raised so much money. it may overall feel like a drop in the ocean but the fact that several gofundmes have raised tens of thousands of dollars is amazing. it is so expensive to leave gaza right now, and people still need money after they escape. but regardless of what propaganda the US, UK, canada, and other western nations are trying to pump out, people across the world are doing what they can to help these people survive. many of them are still very far from their goals (like this one and this one and this one) and some of them are very close to high goals (like this one), and some of them have reached almost double their original goal.

and that's not even addressing direct aid or organizations that take continuous donations for distribution of food, menstrual products, etc. the PCRF has raised $16,000,000 of their target goal of $20,000,000 to fund current aid and long-term relief efforts in gaza. ANERA's febuary 13th update discusses the material ways they helped palestinians today:

(ANERA donate link)

my point is, it often feels like the world is turning a blind eye to palestine. but i would like to point out that there is an important difference between "the world" and "western political leaders and media narratives". a breathtaking amount of real people, the people who make up the world, are trying to help. in the face of israel attempting to commit genocide, the world is saying No. These people deserve to live. and literally sending millions of dollars internationally, through the internet connection that israel has desperately been trying to destroy.

it may not feel like it matters in the grand scheme of things. but to the people who get fresh clothes, or a hot meal, or blankets, or the kids who get new toys, or to the people who are able to bring their families to safety, it matters to them. go make someone's day better. i've linked so many options with ways to do that.

[despairisafunnyword]

i think we’re reaching the end of things

[slytherinslut0]

teasing. | syltherin boy headcanons

author’s note: based on a request i received. i am feral.

- your boyfriends reaction to you teasing him under the table at dinner.

Draco Malfoy.

Draco had been in a proper fowl mood all day, and you could tell he was stressed, a clear mixture of a million different things floating through his mind.

You were literally counting down the seconds until you could finally be alone with him, but dinner was fucking dragging.

Sitting next to him, you couldn’t help but to sneak continual glances at him, noting his silver eyes darkened to a deep shade of grey, the tension in his jaw practically palpable as he stared at his plate like he could hex it into another dimension.

Just looking at him made your breath quicken, made your pulse soar.

Of course, part of you empathized with his shitty day, but the other part of you wanted to get on your knees for him right then and there--

because, undeniably so, he’s at his fucking sexiest when he’s pissed.

As Pansy’s chipper voice filled the air, yammering away to a blissfully blazed Zabini, both of them seated across from you and your boyfriend, an idea sparked in your mind.

Without hesitation, you scooted closer to him, subtly enough to not draw any attention to yourself, but enough for Draco to shoot you a side-eyed glance, eyebrow raised.

Feeling his eyes on you, you kept your gaze on your plate as you brushed your hand against his thigh, testing his reaction.

You could practically hear him swallow, could practically feel his body tense, and you’d try not to smirk.

Thrilled, you’d inch your fingers further, tracing small patterns along the middle of his thigh before trailing upwards.

He’d shift on the bench, the veins in his hands tensing as he tightened his grip on his fork.

His reactions would fuel your fire, and you’d keep going, grazing over his crotch, and he’d groan, stifling it with a cough instantly, and that’s when he’d had enough.

Shifting his hand, he’d grasp your thigh, now--with an intensity in his grip so strong you’d almost squeal. A silent warning.

He’d lean in, his voice darker than the midnight sky as he’d whisper, “you’re lucky I have some dignity…but keep it up and I’ll bend you over this fucking table right now, in front of everyone.”

your grin would be unmissable, and you’d only make it another few minutes before he dragged you away from the table and back to his dorm.

Blaise Zabini.

Blaise was literally just eating. And that’s all it took.

That’s all it took for you to want him, to damn-near need him, right then and there.

He’d been flirty with you all morning, making you swoon over his every word with his typical Zabini charm, as though he was still trying to win you over.

You found yourself giggling like a goddamn first year more times than you could even begin to count while he was around, and it drove you crazy, in the best way.

You couldn’t help it, you just always wanted to be near him, kissing him, touching him. He just made you feel that needy. Effortlessly.

And that feeling carried over throughout the entirety of your day, and didn’t falter at dinner. Oh, not even in the slightest.

If anything, it intensified.

Just watching him, in his own little world, focused on his food, casually chiming into the conversation every now and then between bites--it just did something to you. Something you couldn’t explain.

The way the veins in his hands tensed with each movement, the confident aura that surrounded him, regardless of what he was doing, was just fucking intoxicating.

And so, while caught in a moment of both mental and sexual tension, you discreetly placed your hand on his thigh while continuing to eat, feigning innocence as if it were the most natural thing in the world.

Blaise looked over, immediately, and you could practically feel the smirk on his lips.

But then, with his typical Zabini composure, he’d go back to eating, letting you keep your hand there.

As you dared to inch higher, he’d seamlessly continue conversing with his friends, as if entirely unaffected by your advances.

The conversation flowed effortlessly, and to anyone else, it’d seem as though nothing out of the ordinary was transpiring.

At this point, you’d be completely convinced that you were enjoying this more than he was.

But then, as you’d get close to his crotch, dangerously close, he’d lean in, his voice so deep it’d send chills down your spine.

“You better stop.”

You’d grin, slowly moving higher, looking at him with innocent eyes. “Or what?”

“You just wait until I get you alone, babygirl…” he’d smirk, wetting his lips. “I’ll get you back real fucking good.”

Lorenzo Berkshire.

Lorenzo bloody Berkshire; your absolutely sexy, tease of a boyfriend.

Earlier, you had been paired together for an assignment in class, which had turned out to be the most infuriating part of your day.

Enzo was relentless in his teasing; partially because he couldn’t keep his fucking hands off of you, but also because he just loved getting a rise out of you.

All class he’d stared at you with those big brown eyes, biting on his fucking lip as he smirked at you, pressing his crotch against your ass as the two of you gathered supplies for the assignment, acting like he wasn’t doing anything wrong.

By dinner, your head was spinning, your nerves were shot, and you were more than determined to get him back.

And you’d do just that; finding your perfect opportunity while he was casually eating, not really paying you much attention.

You’d shift closer to him, resting your chin on your palm as you fixed your gaze on him, smirking a devilish smirk.

“So, Enz, what do you think of the new charms professor?”

You’d inquire, your voice like honey as it slipped past your lips, your fingers brushing against his leg in unison.

As soon as your hand connected with his thigh, he’d freeze, not daring to look at you, but stalling his movements completely, staring down at his plate as though it’d just grown two legs and spoke to him.

You’d grin, pulling your lip between your teeth in an attempt to hide it, watching him as he’d slowly resume his chewing, his breath coming in shallower bursts as you inched higher, excruciatingly slow.

“I-uh…he’s, he’s good-“ he’d stammer, his voice cracking, clearing his throat to mask it. “Thorough.”

“Oh, thorough, huh?” You’d tease, grin widening. “Why don’t you elaborate on that?”

His jaw would tense, his lids fluttering shut for the briefest moment as you grazed his crotch, adding pressure as to really get back at him, to really give him a taste of his own damn medicine.

He’d be flustered, undoubtedly, but he wouldn’t dare stop you, playing it off until he couldn’t take it anymore.

Then he’d lean in, softly setting his fork down as to not arouse any suspicion.

“My dorm, right now.” He’d practically beg. “I fucking need you.”

Mattheo Riddle.

Teasing Mattheo was not something you did, ever.

Because ‘teasing’, with Mattheo Riddle, was not a concept. It simply did not fucking exist.

You’d attempted it a few times, over your months of dating, and each time you’d found yourself either bent over a table, on your knees for him in a way-too-public location, or edged until you fucking cried/begged for release.

Mattheo never failed to let you know that he’d take you whenever and wherever the fuck he pleased.

‘Don’t poke the dragon’ or ‘let sleeping dogs lie’ ; were very much literal phrases when it came to your boyfriend.

and so you made sure not to tempt him, unless absolutely fucking necessary--However, today, it was more than absolutely fucking necessary.

And why was that, you might ask? Two reasons.

First one being that you’d slept in his dorm last night and woke up late late for class; all thanks to him.

Even though you’d made sure to remind him ten bloody times to set the alarm, he’d somehow still managed to ‘forget’.

And the second one was because he just looked so goddamn fucking sexy, and you were displeased with the fact that you didn’t have time for morning sex.

Regardless, as he was picking at his dinner, looking unbelievably exhausted, you took your chances.

You leaned closer to him discreetly, casually placing your hand on his thigh. He’d instantly tense, legs spreading wider almost involuntarily, grip tightening on his fork.

You’d inch higher, excruciatingly slow, nodding to Blaise as he said something to you, causally entertaining the conversation.

Mattheo’s jaw would tighten, so much it’d genuinely look painful, his head bowing toward the table as you slowly moved upwards.

But then, he’d grow tired of your teasing and grab your wrist, hastily moving it to his dick as he huffed, dropping his fork and running his now-free hand through his hair.

You’d be fuelled on, leaning toward his ear to whisper; “I need you so fucking bad, Matty…”

He’d snuff a groan, his nails digging into your wrist as he continued guiding your hand, guiding you in palming him through his trousers.

“You’re going to regret this, princess…” he’d mutter, his voice torn and laced with promise. “Can’t keep your fucking hands off of me, can you?”

You’d increased your movements, feeling him grow unbelievably hard beneath your fingers, and you’d know he wasn’t bluffing.

“I should bend you over right here, show the boys just what a desperate little slut you are for me….”

You’d smirk, snuffing your giggling, and that would be the last straw. He’d drag you up from the table and fuck you in the nearest closet/empty classroom.

Theodore Nott.

You were fucking bored.

So unbelievably bored that you weren’t sure how much more of it you’d be able to take.

The conversations at the table were about nothing of particular significance, and if you had to endure another second of Enzo’s mindless babbling you were certainly going to be sick.

Theo was seated beside you, aimlessly picking at his food, also looking incredibly bored.

It was not unnoticeable that the two of you were about ready to fall asleep on the damn spot.

In a moment of desperation, you turned to your boyfriend, attempting to spark up a conversation.

“So, what are we planning on doing this weekend?”

As Theo looked up, you’d instantly grow warm, his stormy blue eyes swirling with admiration as he glimpsed your lips, his once flat features beginning to soften.

“Can’t speak for you Bella, but know what I have on the to-do list,” he’d murmur, leaning in for a kiss.

Theo was never one to shy away from PDA.

As your lips met in a quick, soft kiss, you’d smile as he slowly pulled back. “Oh, yeah? And what might that be?”

That’s when you’d put your hand on his thigh, slowly trailing it upwards, instantly causing his eyes to darken, his jaw to tighten.

He’d spread his legs wider, inviting you to keep going, and you’d gladly oblige, palming him eagerly as the two of you held eye-contact intense enough to make you dizzy.

he’d smirk, sucking in shallow breaths as he leaned in for another kiss, muttering against your lips;

“You…you, and you again…”

Someone at the table would playfully groan in disgust and tell you two to get a room, and you’d just laugh before Theo agreed and dragged you back to his dorm.

Tom Riddle.

If you had to listen to one more second of Tom Riddle talking about school related topics, you were going to find the nearest bridge and jump. zero hesitation.

You absolutely loved your boyfriend, loved him to fucking death,

but after he’d spent all afternoon drilling transfiguration concepts into your brain, you honestly just wished he’d drill something else into you, instead.

And by the time dinner rolled around, your brain was mashed potatoes, yet Tom remained completely fucking relentless.

In between bites of food he’d ask you to recite the animagus transformation theory, and when you’d undoubtedly get it wrong, he’d sigh, grabbing the book and reading it back to you.

But no matter how many times he’d repeat it, it didn’t fucking matter, your mind was gone, completely elsewhere.

To be more specific, your mind was lost in a sea of your thoughts, thoughts about Tom’s big strong hands gripping your hips, his strong frame towering over you as he-

Gods, this was complete fucking torture, and you needed it to stop, right now.

Loosening your tie around your neck, you glimpsed him, watching his dark eyes scan the page, watching his long fingers as he pointed at what he was reading to you,

As you undid a few of the buttons on your blouse, your hand fell gracefully, landing on his thigh for support as you leaned over him, looking down at the book,

“Can you repeat that part for me again, Tom?…” you’d murmur, voice a slow drawl, failing to hide your smirk as your felt him tense. “Silly me…I don’t think I heard you correctly…”

Tom would know exactly what you were doing, and at first he’d try to play it off, clearing his throat as he tried to decipher where the fuck he’d left off.

But then, as you continued to inch higher, grazing his crotch, he’d groan, slamming the book shut.

“For Merlin’s sake, you’re a needy little slut, aren’t you?” He’d hiss, the annoyance in his tone mingling with amusement.

“Let’s go before I bend you over the fucking table.”

[gguk-n]

Hands off (Lando Norris x Reader)

Summary- In world where soulmates exist. Some people have handprints on their body for when their soulmate touches them for the first time. Lando wonders why his soulmate marks are where they are.

Lando was at a sponsor's meeting at McLaren. It was the same old same old stuff. Quite boring if someone asked him. Oscar had ditched him to hang out with his soulmate who he was seen laughing along to while Lando sipped on his glass of champagne until a girl caught his attention. She was dressed in a papaya satin dress looking equally as bored as him.

Lando sauntered over to her, to keep himself a little occupied. "Hey" Lando greeted, catching her attention. She looked up and smiled. "Hi" she greeted back, lazily taking a sip of her drink. "Quite drab" Lando commented. "The atmosphere" he continued. "But you look ravishing" he finished. "What? Expecting me to keep your bed warm" she chided. "If you're offering" Lando chuckled. The pair fell into a comfortable banter. Lando had yet to know her name but it wasn't stopping her from putting him in his place. They started to walk around the venue as they commented on the group of snotty rich people and what they must be talking about.

A couple steps from them a waiter was serving drinks to a group of sponsors when he started walking towards them, his eyes on another group, close by. Lando noticed that he was going to miss the girl in papaya dress and bump into her if she didn't move. Before he could think, he pulled her towards him, to avoid the collision. For a formula one driver, he had no hand eye coordination since he missed her waist completely; instead his hands landed on her ass. She sported a shocked expression, a soft burning sensation on her rear. Being caught off guard, she fell forward with her hands landing directly on his chest, Lando could feel a burning sensation, under her palms.

Y/N had always wondered why her soulmate mark was on her ass. She would joke with her friends that maybe he was some pervert. She would later dismiss their concerns too, but those thoughts would nag at her as she wondered what type of man would implant his both palms on a strangers bum, regardless of the fact that they were soulmates. Y/N couldn't wear bikinis or short shorts or anything mini since anyone could see where the marks were. If someone asked, she would lie and say that they were on her waist. Not like they would check.

Lando found it romantic, a little, yet slightly weird. He had two hand prints on his chest, perfectly encapsulating his pectorals. It was embarrassing to be shirtless, since all his friends would make fun of him. Most people would have marks on their hands or legs or face even but Lando Norris had 2 perfectly bright palm prints on his chest, as if they were holding his tits.

Both of them understood why they had those marks where they did. Y/N quickly straightened herself and brushed his hands off her bum. "I always wondered what type of pervert my soulmate was" she voiced. "I'm sorry. But you are no better." he paused, "You were holding my nipples" he pointed out, now covering his chest. "Not my fault. You caught me off guard" Y/N defended herself. "At least ask me on a date before you decide to grope me" Y/N laughed at the preposterous situation. "Hey!" Lando huffed. "I'm Y/N. Nice to meet you perverted soulmate" she said extending her hand. "Lando. Right back at you" he laughed back, shaking her hand only to pull her in. "I'm allowed to touch that ass when I've already staked my claim" he teased. "Come on dude" she tried to push him away. "Can't be going around calling me dude when I know what that ass feels like" he smirked. "Eww! Can't believe I'm stuck with you" she laughed, pushing him towards a more secluded area. "Why don't you start by showing me that hand print?" she prodded his shirt buttons. "Some one's excited" Lando chuckled, pulling her in. "I don't undress before the first date though" he smirked with his hands firmly on her rear. "Me neither, baby boy" she smirked back, pulling him in by the collar of his shirt for a kiss.

[kngrose]

do you not write for ambessa 👉🏻👈🏻? cuz your sevika headcanons are *chef’s kiss*

𝐀𝐌𝐁𝐄𝐒𝐒𝐀 𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒

WARNINGS: 18+, sexual content, implied voyeurism, body worship, oral, slapping, spanking, dacryphilia, implied age gap, slave/master if you squint, wlw!

from roselí. ᡣ𐭩 : prayers have been answered ^^

SFW

Come, come. Let's talk about it.

I don't think Ambessa strikes anyone as a lovely kind of person. Yes, she is incredibly charismatic, and might even be the love-bombing type, but Ambessa seems to clearly reserve "love" for those closest to her. Well, her version of it anyway.

She won't just walk around with her heart on her shoulder, she's a warrior for hell's sake. And we're all familiar with her opinions on becoming weak at the hands of love.

If you've managed to genuinely catch Ambessa's interest-- not just for her personal gain or a quick fuck-- then you've got a headache coming your way. Like, a migraine.

I want to really emphasize the love bombing because regardless of whether Ambessa is aware of it or not, the relationship will feel this way for a long time. There's a pattern. She's affectionate one day; showering you with praises and soft kisses, sunrise to sunset. You'll have to want for nothing. Gifts and trips, all treated to you by hers truly. Wining and dining, a good fuck. And though all of this is displayed in private, you'll be enamored. Which is exactly what she wants you to be.

And then, she'll be cold and standoffish. Uncaring of your presence or too busy to be bothered. When Ambessa handles business, there's no such thing as making time for you. You'll just have to pacify yourself until she's ready to be bothered with you again.

It'll take you a while to realize, but when you do you can't miss it; she's got an avoidant attachment. She wants to love you and to be loved, but the moment she receives it she's pulling away. She's looking for flaws in you, anything that'll convince herself that you're bad for her, to leave you where she found you.

Constantly creating exit strategies, thinking of petty little arguments to start for no reason, or an insecurity of yours to pick at. She was trained to fight, it's her strong suit in any sense. It's always easier for her to disconnect and dismiss her feelings than to just sit and talk it out. And you'll want nothing to do with her, which is also what she wants.

She just be losing the plot, I fear.

Unfortunately, cycles like this take time to break. Fortunately, she's not going to let you leave! So you have all the time in the world! <3

When you bring this to her knowledge, you'll really have to bring it. Sit her down and let her know she's not moving until she's heard every word that leaves your mouth, wagging a painted finger in her face. And she'll humor you because you've managed to make an impression with her.

She will sit, patiently and leisurely, man spread and all, watching you fuss her out throwing your hands every which way and yelling. And she will have the softest, fondest smile on her face. She'll know you love her at this moment.

She will let you say your piece without interruptions. In fact, she's so quiet that you have to question if she's even listening a few times. And when you catch sight of that little smile you just pause, dumbfounded. And she'll just humor your expression, urging you to continue with a curt wave of her hand.

After this occasion, Ambessa will be relentless. In her mind, anyone willing to fuss her out the way that you have must truly love her. So now, she knows no limits. In the past, Ambessa would have you stay put with some guards while she handled her day-to-day tasks. But now? You tag along with her everywhere.

In meetings, Ambessa has you perched on her lap. Touching you mindlessly as she discusses possible strategies and looks over speeches. Rubbing your thighs, your neck, your arms. You'll find it awkward at first--such a public display of affection-- but you'll have no choice but to get used to it.

She's hand-feeding you everything. Holding your cups to your lips, licking frosting off your mouth. It's a starch contrast to the dynamic your relationship used to have. But, you suppose you shouldn't be surprised at her shamelessness, she's always been a bit... eccentric.

And now, you don't even have to ask her to share her feelings, in fact, you have to tell her that some things are a little TMI because she wants to share everything with you. Everything. EVERYTHING.

Secrets don't exist, she's an open book. Whatever's on her mind, you're going to hear about it. Which in most cases, you can appreciate. She'll open up about her past and all of the things that have led her up to this point. She'll speak of her daughter, Mel, expressing a regret that she's never opened up to her about. And she'll talk about the effects you have on her personally.

These moments are heartwarming, cause it solidifies your bond.

Undoubtably, Ambessa is a very possessive woman. She's very adamant about expressing to everyone that you belong to her. Not necessarily in a verbal sense, but people will know. They'll know when they see the lingering touches she leaves, the elongated glances, the kisses. Again she's very shameless, so don't let these things take you by surprise.

She's also very protective. She does like to have you tag along with her everywhere, but every now and then she'll leave you with Rictus while she goes to handle more trying situations. You know, the ones where she may potentially commit a war crime or two.

She'd much rather you be locked away than have to protect you on the battlefield. Though she's positive you know of her capabilities, she wouldn't like to have you see her in that light regardless. She'll go to great, violent, bloody lengths to keep you safe.

Besides her shameless physical touch, Ambessa likes to show her love with flashy gifts and large bouquets of flowers. She likes to collect things from all the places she's been to gift to you; know that every time she's out, she thinks of what you might like to have.

She also likes to share knowledge. She finds that to be one of the biggest displays of love; sharing one's knowledge of the world and life. Things you can can learn from. She will really appreciate and admire the fact that you look up to her as a mentor, and especially loves it when you ask for her opinion or perspective. It shows that you rely on her.

And she likes to be relied on!

She has a tendency to just walk around naked, and not for any particular reason other than the fact that it’s, “Comfortable, sweet thing.” It doesn’t matter what time of the day it is, if she has leisure time to waste, she’ll be naked. And she likes to be watched; “I worked hard for this body, honey..” She’ll say, flexing her arms at you.

She takes great pride in her form and in her strength. She likes to lift you up randomly just to showcase it. She’ll always pick you up when she hugs you, gripping your thighs loosely or not at all. You could honestly just hang onto her, dropping all of your weight. It wouldn’t make a difference.

She never fails to fluster you at any given chance. Every time you’re having a conversation she’s holding the strongest eye contact, chuckling to herself when you avoid her gaze. She'll randomly grip your chin, or caress your face. Sometimes twirling the hair by your ears. She likes to see you get all flustered because of her. It genuinely makes her day. That's why she does it so much.

She's old! Lol, you'll have to keep her updated with the new slang and terms of endearment. If you're someone who incorporates a lot of slang into your vocabulary, you'll often receive sideways glances of confusion before she stares at you and mutters, "...What?"

NSFW

I’m going to say it again; she’s shameless.

She has no qualms. Like, at all.

She loves to put on a show. She loves to be ogled at, it strokes her— already large enough— ego. More often than not, she’ll shove you down onto the bed, and with a calculated slowness, she’ll begin to undress, maintaining eye contact with you throughout. Her eyes always smoldering with a mix of passion and a touch of dominance.

And she’ll study you closely for your reaction, loving the look of pure awe on your face as she stands nude before you. Her voice, a low and husky murmur, would echo through the room, "See something you like, my dear?" and she’ll hum in approval at the soft, “Yes, Ma’am” she receives in return.

Ambessa appreciates a well mannered slut.

Most times, Ambessa will request that you massage her, all over. She loves it; It fulfills her desire to be worshipped. She loves to watch you take your time and rub every part of her, smirking down at you as you get lower and lower.

Ambessa will lean back slightly, her expression transitioning into a devilish smirk. Her free hand slowly tracing a path along the contours of your body. She watches you like a hawk, a smirk ever present on her lips.

When you start to kiss down her body a contented sigh will escape her lips. She’ll run her fingers through your hair, gently but firmly guiding your movements. Her head will tilt back, her eyes half-lidded with satisfaction. Each touch, each kiss, draws out a low and guttural sound from her throat, her desire evident in the way her body responds to your ministrations.

And the hand in your hair will tighten as she shoves your face in between her legs, a knowing glint in her eyes, “You know what to do.” And her body tenses as you start to eat her pussy, the hand in your hair tightening almost painfully as she groans.

She requires eye contact; she wants you to watch her come undone on your mouth. It’s like a reward, no? Watching the effect you have on her. She wouldn’t want you to miss the way she leans her head back, her hips rutting against your tongue at a steady pace, glancing down at you as she murmurs, “Good girl.”

And she won’t miss the hand that you trail down to your pussy, toying with yourself impatiently. A leisurely chuckle will fall from her lips, “Patience, Darling.” She’ll always say, pulling your hair to angle your head just right so she can fuck your face better. “Patience.”

And soon her breathing will turn shallow, Ambessa's grip on your hair impossibly intensifying, her fingers tangling in your locks as she guides your movements. Her control momentarily slips as she succumbs to the pleasure you're giving her.

And when she cums? She’ll pull your head back playing idly with the mess on your face, “Tsk… now you’re all dirty,” She’ll mutter, before leaning down and licking it off your chin. She’ll meet your lips in a sloppy mess of a kiss, groaning softly at the taste. And when she pulls back she’ll admire the look on your face, taking a mental photo of it. “Pretty…”

I think Ambessa would have a thing for teasing you. She likes to put you in uncomfortable positions. Make you put yourself on display in risky places. Loves touching you under tables. It just warms her core to see you so flustered, really riles her up. Especially so if you start crying, she’ll just squeeze your cheeks in her hand and snicker at you, “Ohhhh, you poor thing,” She’ll chuckle, and peck your puckered lips.

I already mentioned that Ambessa loves it when you’re well-mannered, it’ll quite literally get you anything your heart desires. You ask her nicely to make up cum? She’ll do it in a heartbeat. “With my mouth, or with my hands?” She’ll raise a brow, “Or with something else?” You use your manners with Ambessa like a good girl and she’ll be at your beck and call.

Laying you on your stomach softly to pull your ass in the air and eating your pussy until you squirt all over her mouth, and she won’t let a drop go to waste. She’ll trail her thick tongue from your clit all the way to your ass and back, over and over and over, circling the hole playfully before spitting onto it, the spit trailing back down. It’s truly a beautiful sight, she thinks.

Do you want her to fuck you with her fingers? They’re thick. You’ll hardly need two of them to satiate that churning in your core. Perhaps you want a massage of your own? Want her to suck on your pretty feet? Maybe you want her to talk you through your orgasm and praise you softly in your ear while you cum on her fingers? Everything all at once? No request is too far for Ambessa. She likes to worship her pretty thing; and loves to appreciate your body. Especially when it’s well deserved.

But when you’re ill mannered? Ambessa will show you exactly how she became a warlord.

Don’t expect any pleasure from this outcome. It’ll be hard. It’ll be brutal. And you’ll wish you’d never mouthed off at her the way you did. “What did we learn?” She’ll growl, above you, slapping your ass with a powerful force, “Quickly.” She’ll order.

And she’ll hum as you blubber loudly about being respectful, but her abuse will not stop. She will continue to keep you over her knee, slapping at your ass and thighs relentlessly. And when she’s done with that? She’ll have you on your knees, facing up at her with your hands folded politely over your lap. And you’d better pay extra attention to your posture or she’ll punish you for that too.

You’re never prepared for the swat to your cheek. “What are we not doing in the future?” She won’t falter at the cry that leaves your mouth, her gaze stone-cold and unwavering. She’ll swat your cheek again, slap, “I said, quickly.” And again, she won’t be moved by your blubbering until she’s satisfied-- until she believes you’ve learned a lesson.

And she’ll always be sure to pacify you until you’ve calmed down, offering you water and comfort, but still being stern enough that you remember your place the next time around. She’ll be sure to build you up just as she’s broken you down, affirming you gently. And you’ll fall back into her, blubbering your apologies.

She’ll conceal a smirk.

She loves to see you cry.

please let me know if you would like to be added to my taglist to be notified everytime i post, xx

taglist: @opropheticsoul